Apple has released Logic Studio 9 today. Banner features: “Flex Time” audio warping, new goodies for guitarists (plus integration with a new audio interface and pedalboard from Apogee), expanded support for working with video and outputting compression, and most interestingly, tools for making MainStage a feature you might actually take onstage.
I’m meeting with Apple next week, so if you think of any smart questions, do pass them along. I should receive my testing copy then, too, so expect more details. In the meantime, here’s how it looks “on paper,” in a nutshell.
Live Performance
This to me is the interesting one. I loved the idea of MainStage when it came out, but I had a number of complaints in regards to what musicians would actually want to do for live performance. Specifically:
* MainStage needs a way of playing backing tracks, particularly for bands and acoustic players and soloists.
* ReWire is a must, so people using tools like Ableton Live (or Reason, or the awesome tracker Renoise) can work with them in a MainStage rig.
* Better control mapping was needed for real performance – including grouping.
* Musicians need a way of recording their gigs.
Well, guess what? Apple says they’ve added all of that to MainStage 2. ReWire support should make this particularly interesting, as solutions like a Logic-Live rig now become practical. And this is the first DAW to really try to do backing tracks in a way bands can use, even including Ableton Live.
Grouped controls allow you to drag and drop layouts of controls as macros. It’s a nice implementation, and different from what’s currently out there.
There’s also a live loop recorder, tape style. My first impression of this is that this doesn’t appear to match things like the new looper in Ableton Live 8, which can set an entire project tempo – it’s more like a basic stompbox effect, as we’ve seen previously in Native Instruments’ Guitar Rig. Still, that matches the simplicity of some of the other tools here.
Augh… and yes, that is Apple’s now-ubiquitous album art view as the browser mechanism for templates, proving they really don’t know where to stop. At least it seems they haven’t used that for the entire UI.
Of course, performance is everything in these implementations, so it’ll be fun to torture test MainStage 2 and see how it stands up.
And for anyone who wanted Live clips and Sculpture in one session, this could be interesting.
Flex Time Audio Manipulation
The music software market is already crowded with tools that promise to let you manipulate audio independent of its original tempo – but this implementation is more interesting than you might first think. You actually drag the mouse on the waveform itself, turning the sound into a Silly Putty-like, warpable view. Very much like Ableton Live, Logic also adds modes based on material (rhythmic, polyphonic, slicing), and an audio quantize mode that applies the feel of one track to another.
There’s also a slightly gimmicky record start/stop effect, which I’m sure will be a boon to anyone doing editing for MTV.But make no mistake about it: Flex Time could heat things up.
Side note: Does Sibelius – now owned by industry titan and major Apple rival Avid – really not care that Apple lifted the name of its “FlexTime” technology, which I thought was trademarked? Did Apple pay off Avid to grab that name? (Especially funny after MainStage had a similarity to Plasq’s OnStage from Rax, a virtually identical feature.)
For Guitarists
* A new pedalboard full of effects
* An “Amp Designer” for combining 25 amps, 25 speaker cabinets, and 3 mics, plus a library of new presets
* Integration with Apogee’s new GiO interface in both Logic and MainStage
Apple is obviously committed to providing a one box solution, so you never have to buy anything for music making that doesn’t have an Apple logo on it – something I’m sure doesn’t make Native Instruments, Waves, IK Multimedia, and other competitors exactly thrilled. Those solutions are already really good, but I have heard Apple’s implementation is quite nice, and I’ve heard it from people who are actual guitarists.
Notation Enhancements
Ornaments have been expanded with a broader notation library, and a set of some 4000 chord grids beef up tab capabilities for guitars.
I still think you’d be nuts to use Logic in place of something like Sibelius for major notation editing, just because I find the dedicated tool much quicker to use. On the other hand, Logic was born as “Notator,” so it has notation in its blood.
Other Improvements
* Turn tracks into sampler tracks (again, the first time I’ve seen a good implementation like this outside Ableton Live)
* Drum replacement
* Improved editing inside take folders – so you can adjust recordings while keeping your takes
* Better bouncing, track import
* More bizarre warp effects for Space Designer (okay, I have to admit, I’ve gotten addicted to using convolution reverbs for special effects, so curious what they put in there)
* A Vocal Jam Pack
There’s also a new browser for instruments, it appears, apparently to make this more accessible to new users. On the other hand, that’s a bit like holding a toddler’s hand before putting him in the seat of your Ferrari, when it comes to interfaces like Ultrabeat. (See what I mean on Apple’s site.) But I suppose it can’t hurt – and meanwhile, the market for educational products remains.
